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Gustav Vigeland’s bizarre sculpture park

Not only is it the most popular tourist attraction in Norway, it is also the world’s largest sculpture park filled with works by a single artist: the collection of 212 stone, bronze and cast-iron statues by Gustav Vigeland in Vigeland Park. The park is open 24 hours a day, 365 days a year and on top of that, admission is free. From the ‘Little Hot-Head’ to the imposing ‘Monolith’, the life-size statues are a delight to discover both in the summer and winter.

What better magnum opus could a sculptor want? For 20 years, Gustav Vigeland (1869-1943) worked on an open-air exhibition in the backyard of his home and studio in Frogner, a district in Oslo. It grew into a complete sculpture park with 212 sculptures in granite and bronze. Not only did Vigeland create all of the sculptures, he also designed the park, including the garden architecture, bridges, fountains and enclosure. But he was never able to enjoy his park in all its glory, as most of the sculptures were only placed in the park in 1950, 7 years after his death.

Vigeland Park
Vigeland Park


Taking a picture with the Little Hot-Head

Many of the life-size sculptures themselves comprise dozens of small figures, like the bridge with 58 naked men, women and children in all imaginable poses. ‘Sinnataggen’ (Little Hot-Head) — a little boy angrily stomping his foot on the ground — is the most beloved sculpture in the park. He is sometimes also called the ‘Mona Lisa of Vigeland’. He is so loved that his hands and feet shine because everyone who takes a picture with him touches them. Not far off is the ‘Livshjulet’ (Wheel of Life), a vicious cycle of intertwined people with a diameter of 3 metres.

The entrance to the park is also impressive; a large gate with stylised male figures in different phases of life are attached to granite pillars crowned with cast-iron lanterns. The literal and figurative highlight of the park is ‘Monolitten’ (Monolith), a 14-metre-high column at the highest point in the park and a monster production for which 3 stonecutters spent 14 years working daily under the supervision of Vigeland. Built out of a single block of massive granite, the sculpture’s 121 figures appear to climb over one another upwards towards heaven, as a metaphor for people’s desire for the divine and spiritual.

Most of the sculptures are positioned in 5 groups along an 850-metre-long avenue. On the south side of the park is Vigeland’s studio, which has been preserved in its original state since his death in 1943. The studio — now a museum — is very popular, with 1½ to 2 million visitors crossing its threshold each year.
The Monolith

Norway’s most famous sculptor

Gustav Vigeland (1869-1943) was born and raised in Mandal in Southern Norway. As a child, he was fascinated by religion, spirituality, drawing and sculpturing – a combination that would determine the rest of his life. His parents sent him to Oslo to learn a trade – woodcutting – at the technical school. He received a state grant and used it to travel throughout Europe. Via Copenhagen, Berlin and Florence, he made his way to Paris, where he worked in Auguste Rodin’s studio. Back in Oslo, he grew to become the most famous and most productive sculptor Norway has every had.